:: UDK+Supercollider: real-time synthesis for sound effects

- View my Kismet sequence for capturing spatialization data

- Read about this project over at DesigningSound.org

1. DEMO 7
   Melee Weapon Impacts
   
   Hitting different sections of
   a pipe structure to generate
   a range of metal impact
   sounds in SuperCollider.
   
   1m10
   

   Melee Weapon Impacts
   
2. DEMO 6
   Liquids - Basic scenarios for:
   • Gloop
   • Fast flowing river
   • Waterfall
   • Trickle
   • Drip
   
   2m10
   

   Liquids
   
3. DEMO 5
   Spatialization - using
   Kismet to calculate values
   for panning parameters in
   SuperCollider
   
   2m44
   

   Spatialization
   
4. DEMO 4
   Logarithmic attenuation
   with Kismet custom class
   
   43s
   

   Logarithmic attenuation
   
5. DEMO 3
   Collision test using impact
   velocity values to alter
   the timbre, pitch and
   volume of a barrel impact
   sound
   
   1m32s
   

   Impact sounds
   
6. DEMO 2
   This example uses actor
   location vectors to control
   a creaking door patch in
   Supercollider in real-time
   
   1m22s
   

   Creaking door
   
7. DEMO 1
   Showing how the UDK
   weapon fire function
   can be used to send OSC
   to Supercollider to
   generate endless variations
   of a laser sound effect
   
   44s
   

   Weapon fire

:: UDK - audio implementation adventures (More info here)

1. Accessing the
   Continuous Modulator
   node via Kismet
   
   3m16
   

   Continuous Modulator access
2. Orbiting sound actors
   to attempt to randomise
   ambient spot FX
   
   2m55
   

   Orbiting Sound Actors
3. Water impacts and
   underwater ambience using
   trigger volumes and
   kismet.
   
   3m10
   

   Water Impacts
4. A Doppler effect simulation
   using Kismet to compare
   player/object co-ordinates
   and adjust the frequency
   of a moving siren.
   
   1m46s
   

   Doppler effect
5. A look at how music
   located in a building could
   be represented on the
   outside, and a method for
   volume ducking during
   voiceover playback.
   
   2m5s
   

   Reverb volumes
6. The basic elements of a
   door open/close sequence,
   using reverb volumes,
   kismet scripting and
   strategically placed sound
   objects.
   
   1m30s
   

   Door sequence

:: Warm Gun - sound design and implementation in Unreal

1. Warm Gun iOS Debut Trailer
   
   • Features and Gameplay
   
   1m53s
   

   iOS Trailer
2. Warm Gun Audio Diary 4
   
   • Weapon Fire and Handling
   
   1m21s
   

   Weapons
3. Warm Gun Audio Diary 2
   
   • Steam train
   • Helicopter
   
   1m29s
   

   Vehicles
4. Warm Gun Audio Diary 1
   
   • Falling rocks
   • Truck collision
   • Falling stalactites
   • Explosions
   • Bullet impacts
   
   2m25s
   

   Collisions and Impacts
5. Warm Gun Audio Diary 3
   
   • Spike trap
   • Crusher trap
   • Arena trap
   • Mattress leap
   
   1m11s
   

   Gameplay events

:: Audio Replacement Demos

1. Iron Man 2
   Video shows Foley recording
   and sound design.
   
   For demonstration
   purposes only.
   
   32s
   

   Iron Man 2
   
2. Wallace and Grommit
   
   For demonstration
   purposes only.
   
   36s
   

   Wallace and Grommit
   
3. Start the Party
   
   For demonstration
   purposes only.
   
   11s
   

   Start the Party
   

:: Jeklynn Heights - sound design and implementation in UDK

1. Gameplay Demo 1 - Orb
   
   • Character footsteps
   • Environmental sounds
   • Music
   
   27s
   

   Orb Capturing
2. Gameplay Demo 2 - Combat
   
   • Character footsteps
   • Blade weapon
   • Music
   
   47s
   

   Combat Basics
3. Gameplay Demo 3 - Sanity
   
   • Character footsteps
   • Environmental sounds
   • Music
   
   37s
   

   Sanity Posts

:: Wwise / Cube mod projects - more info here

1. DEMO 3 - RTPC
   Using Wwise RTPCs to adjust
   pitch, volume and LPF of
   sound and music in Cube
   
   1m13
   

   Using RTPCs
   
2. DEMO 2 - Music Transitions
   Extra game code to
   switch between three
   music cues in Wwise
   
   1m16
   

   Music transitions
   
3. DEMO 1 - Footsteps
   Additional C++ code and
   Wwise events to separate
   player and monster
   footsteps and add
   movement sounds
   
   2m16
   

   Footsteps